The punchline is, “D-Generation X fired the first, and most important, shot in the Monday Night Wars.”
As with all things in Triple H’s legacy spit-shining, it’s an absurd statement, and most certainly on the more gut-busting end of the meter. The claim that an Army fatigue-clad DX turned the tide in the Monday Night Wars was first offered by WWE in the summer of 2002 on a show called Confidential, a Saturday night parade of fluff hosted by Mean Gene Okerlund. Some theorize that the statement was made in conjunction with Stone Cold Steve Austin’s ugly walkout of WWE that June (compounded by domestic assault charges later that same week), and the company began a slow whitewash of Austin in order to distance themselves from a potential felon.
[adinserter block=”1″]After all, nobody was more important than Austin himself to turning back the challenge of Eric Bischoff’s star-studded World Championship Wrestling (well, him and the dips–ts at Time Warner, they’re pretty important as well). If Triple H challenges Vince McMahon to a brawl on the April 13, 1998 edition of Raw, do they win the ratings that night? If Triple H confronts Mike Tyson the previous January, does the news media go just as gaga? Saying Triple H led the charge against WCW is like saying The Departed won Best Picture because of Marky Mark.
Even with Austin restored in his place on WWE’s all-time Mount Rushmore, Triple H is sticking to the in-character claim that he was General Patton with a “Suck It” shirt. Granted, it could be easily dismissed as the claims of a deluded villain, thinking he was somehow responsible for a monumental shift of the upper hand in wrestling lore, but nobody calls him out on Front Street for it. Michael Cole, Jerry Lawler, and former WCW Champion Booker T say nothing to dispute the claim. Rambling parrot JBL (a pull-string doll could do what he does) will confirm the story, even at one point Monday saying he helped bring WCW down (which is like saying The Departed won Best Picture because of Martin Sheen’s desk blotter).
It is what it is: Triple H has to be the heel, but he can’t be a weak heel. Whether face or heel, his greatness will always be confirmed, never questioned. It’s why Ric Flair was his running buddy on screen for so long, to remind everyone (WHOO!) by God (WHOO!) that Triple H (WHOO!) is the King (WHOO!) of Kings! WWE is to be a living legacy to its inheritor, and history is written blah blah blah.
WCW’s legacy, on the other hand, is a paradox in WWE storytelling. On the one hand, episodes of the former YouTube show “Are You Serious?” would air clips of WCW’s foul-ups (of which there were more than plenty) with an affixed hash-tag, “#WCWRuinsEverything”. Nevermind the irony of WWE, the land of blown opportunity, casting aspersions on another wrestling company’s errors, but the tag is a good look into the mind of WWE thought: maybe if we remind everyone how stupid WCW was sometimes, everyone will forget our own creative incompetence. That “Are You Serious?” aired around 2012-13, over a decade after WCW died, makes the grave-pissing reek of desperation and insecurity.
Insecurity brings us back to Triple H, he of the phallic sledgehammer that symbolizes his might and will. So Triple H rambles about helping put WCW out of business, and makes the story about Turnerland lifer Sting waiting 14 years to exact his ultimate revenge. This is the weird part of Triple H that has to look oddly heroic, even as the obvious villain in the tale. During the Monday Night Wars, fans gradually, then swiftly, shifted to WWE until the ratings were as lop-sided as Rick Allen on a trapeze bar. Only the diehards really stood by WCW as it crumbled without pause.
WWE always taught its fans that WCW was the bad guy in all of it, filling their cards with old fossils (who does this sound like?) while underselling venues (I ask you again) and not pushing the younger talents (maybe WCW didn’t have enough brass rings). Smear tactics in the name of war aside, it’s kinda silly that Triple H is portrayed as both a ruthless asshole that rules as a dictator over his roster (which is fine) while also playing conquering guerrilla that single-handedly altered the course of wrestling history (zuh?).
It’s especially bizarre thanks to the very WWE Network that Triple H and others (understandably) whore incessantly. Thanks to the service, I can watch every WCW pay-per-view ever, plus the first 16 months of Nitro, a period in which the company was as revolutionary as anything we’ve ever seen in wrestling.
1995 episodes of Nitro give us eight-minute junior-heavyweight showcases, rapid-fire stories, and a “who’s gonna show up?” chaotic vibe that blew away the slogging Raw of the time. And I find that most 1995 Raws wipe the floor with the modern product’s awful pacing and self-congratulating, so you can imagine how I feel 1995 Nitro compares to WWE today.
[adinserter block=”2″]It’s weird, but the very person who will be running WWE when Vince finally goes has actually made me miss WCW, in large part because of his constant mentioning of it. Triple H was once the logo for his own self-importance, but now he’s an avatar for a WWE that makes me miss spectacular alternatives. And forget Nitro; the Network has War Games out the ass. Sure, the 1998 version was crap through a strainer (#WCWRuinsEverything, LOL!), but the 1991 and 1992 editions are a nice alternative to Daniel Bryan and Paul Heyman trying to convince me that Roman Reigns is Jesus in SWAT attire.
There’s a thick, viscous irony in a red-hot WWE once leading the charge against a rotten WCW, followed by an eventually-sterile WWE exhuming WCW through an inadvertent call for sympathy, and a treasure trove of video history that brings back memories.
WCW isn’t the heel anymore. Given what WWE presents to its fans, the departed promotion is now the default babyface.